Each woman brought their own stories to the mix for inVISIBLE, a collection of stories billed as less of a theatre production and more of a happening or experience.

Calgary’s Handsome Alice Theatre is taking its efforts to give a voice to women one step further with inVISIBLE, a collaborative project involving members of the community whose perspectives are often ignored.

Calgary’s Handsome Alice Theatre is taking its efforts to give a voice to women one step further with inVISIBLE, a collaborative project involving members of the community whose perspectives are often ignored.

“Launched in April 2016, Calgary’s Handsome Alice Theatre devotes itself to “unleashing the female voice through the development, creation and production of theatre works that are inclusive, curious and rebellious.”

Last year, Vancouver playwright Rosemary Rowe’s subversive little comedy The Good Bride took Edmonton by storm.

Getting hitched is a difficult decision, especially since marriage assumes you’ve already accomplished the even tougher task of finding love. Now, imagine being forced into the act by someone religiously in love with the nuptial concept itself… and fast food?

Sulla (Genevieve Pare) is anxious. She’s a woman in her thirties, who lives in a tall building, in a city on fire, where coyotes roam the streets.

A city is threatened by fire and wild coyotes in Jill Connell’s play The Tall Building. For three strangers living high above in an apartment building, however, it’s not the fire or coyotes that concerns them – it’s each other.

True to its moniker, Handsome Alice Theatre’s production of Jill Connell’s absurdist drama The Tall Building is handsome.From design and direction to performance, a great deal of talent has been lavished on Connell’s play. The play is set on the 100th floor of a skyscraper in a not-too-distant apocalyptic city that is on fire.

Calgary has a particularly vibrant alternative theatre scene, and with news from Handsome Alice, Theatre Basement and Sage Theatre about their upcoming seasons, this could be a most memorable year for theatre goers searching for edgier choices.

It was a long and arduous process when the Calgary theatre critics met on May 21 at Loft 112 in the East Village to choose the nominees for the 2016 Critter Awards.

Eyeopener theatre reviewer Jonathan Love offers his thoughts on the new production of Goodnight Desdemona from new Calgary theatre company Handsome Alice.

There is something completely refreshing about taking something conventional and flipping it on its head. Men playing all the roles in a play, including the roles of women. Men being the funny ones, making the jokes and getting all the laughs. Men being the heroes, who fight the battles and win the wars.

Sometimes you see a show that takes you completely by surprise. For me, Goodnight Desdemona (Good Morning Juliet) was that show.

Co-presented with The Shakespeare Company and Hit & Myth Productions, Handsome Alice Theatre, formerly known as Urban Curvz Theatre, makes its debut with Anne-Marie MacDonald’s 1988 play Goodnight Desdemona (Good Morning Juliet).

Like Alice and Wendy before her, Constance Ledbelly, the hero of Anne-Marie MacDonald’s Goodnight Desdemona (Good Morning Juliet), goes on an exotic journey of self discovery.

The Shakespeare Company, Handsome Alice Theatre and Hit & Myth Productions combine for Goodnight Desdemona (Good Morning Juliet) which opens on Thursday.

The Shakespeare Company, Handsome Alice Theatre and Hit & Myth Productions combine for Goodnight Desdemona (Good Morning Juliet) which opens on Thursday.

The Shakespeare Company, Handsome Alice Theatre and Hit & Myth Productions combine for Goodnight Desdemona (Good Morning Juliet) which opens on Thursday.